skug - English - music - 21 Texte

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»End Titles-Stories for Film«

skug # | Text: Noël Akchoté | Wed 24. Dec. 2008


U Roy, the Originator
In the Reggae world, if there was a Rub-a-Dub Army, U Roy would surely be General ...
skug # | Text: Frank De Carvalho | Sun 18. Mar. 2007


Winston McAnuff
»Electric Dread« short-circuits Parisian Ground ... Makavibes ...
skug # | Text: Frank De Carvalho | Fri 2. Mar. 2007


The Congos
Who is gonna stop dem now ... The Congoman is comin' ... back!!!
skug # | Text: Frank De Carvalho | Mon 22. Jan. 2007


Groundation - California Jammin'
Americans playing Reggae Music, and all of them are white men ...That is something that must have been difficult to accept for Reggae purists and other rastas. But Groundation is now a name that almost every Reggae fan has already heard.
skug # | Text: Frank De Carvalho | Sat 21. Oct. 2006


Interview with Winston Rodney a.k.a. Burning Spear 07/11/2005
A new Burning Spear to discover: Some years after his last work »Freeman« the 60 years old rastaman is back with his refreshing new album »Our Music«, which is the first one recorded outside Jamaika. With new musicians from New York.
skug # | Text: Frank De Carvalho | Thu 23. Feb. 2006


CULTURAL NOISE: Noise as a Musical Metaphor for Contemporary Aesthetics in Popular Culture
Noise can be considered not only as a disturbing distortion but also as the maximum compression of information within a certain framework of space and time.
skug # | Text: Heinrich Deisl | Tue 10. Jan. 2006


The Evolution of Senso-Brutalism: Electronic Aesthetics of Force in Music. Industrial - Minimal Techno - Gabba.
Sonic injections to the braincells about deviant musics by the London-based writer and critic Alexei Monroe, best known for his books about Laibach/ NSK.
skug # | Text: Alexei Monroe | Tue 10. Jan. 2006


»IT S ALL ABOUT US« (borrowed from t.A.T.u.)
In 1989, on their way to Ponto-Corvo, the radical advertists group Didi&Noël, driving a car at 6:34 AM, were arrested by the C.I.W. To this present day we still don't really know the motivations of their trip, but it's been said a secret meeting involving Che Guevara, Karl Lagerfeld and Carlos was to take place there. After about six years of research, the music critic from »Die Zeitung-Zeitung« (who wishes to remain anonymous) has hijacked some of their daily correspondence. A book shall be published next year which is temporarily entitled »Your Fuckin Kampf, Not Mein!« - Good Luck.
skug #65 | Text: Didi Neidhart / Noël Akchoté | Tue 10. Jan. 2006


»Live@Rixc«

skug # | Text: Alfred Prabzl/Ü: Norbert Lang | Fri 23. Sep. 2005


In memoriam Luc Ferrari - ? 22nd August 2005
Luc Ferrari possessed a sparkling sense of humor and quality of focus or presentness that, for anyone lucky enough to have enjoyed his company, will be impossible to forget. In this lifetime, you might meet a handful of individuals whose work really speaks to you. Really sparks you...
skug # | Text: David Grubbs | Fri 26. Aug. 2005


Tanita Tikaram has released a new album
Seven years did pass by since Tanita Tikarams last album. These days the new album Sentimental (V2/Edel) is released - time to talk to Tanita about songwriting and ideal working situations.
skug # | Text: Jürgen Plank | Wed 13. Apr. 2005


Norman Granz - Jazz in Montreux
Good Lord, they gave me the complete series on DVD!
skug #61 | Text: Noël Akchoté | Thu 16. Dec. 2004


Mimi Secue - D Assoziative Machinery
Mimi Secue are a bunch of adolescents from the Burgenland, relocated to Vienna.
Mimi Secue is a collective, hence all their answers and responses in this interview are marked »M«.
Mimi Secue spreads a vast aural canvas, inviting their listeners to project their own imaginary visual track there upon. Let's start out with my personal associations first, and then proceed to Mimi Secue's.
skug # | Text: Stefan Parnreiter / Übersetzung: Jörg Blecher | Fri 2. Aug. 2002


phonoTAKTIK - future music for our hearts
When the renowned British music magazine Wire published a cover story on Vienna Electronica in 1997, the international music scene suddenly paid attention to artists that had heretofore gone unnoticed. Major record companies started to flock to a city they had previously considered only a sales market. The majors were surprised to find out that small independent labels had established themselves in Austria since the early 1990s, catering to an audience of cognoscenti.
skug # | Text: Michael Huber | Fri 8. Mar. 2002


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